I don’t like nostalgia unless it’s mine.
-Lou Reed

At the end of 2009, I found myself in Sweden, reflecting on a year of impossible explorations, culminating in our massive 7-day urban camping adventure across 4 European countries and dozens of derelict spaces all the way to East Germany. I never would have guessed that at the end of 2010 I would find myself sitting in Las Vegas reflecting on a year even more incredible than the last.

The numbers are in. During 2010 we explored 110 locations in 9 countries, ranging from derelict industrial sites to impossible heights; from vital infrastructure to dead shopping malls. Over the course of the year, as part of my PhD research, I have taken 11,000 photographs (yes, you read that right), shot 20 hours of video footage, published 35,000 words about our adventures in academic publications (many still in press) and wrote over 40,000 words on this blog.

That all said, Place Hacking wouldn’t be anything without the places themselves, so without further ado, I present my top 20 explorations of 2010.

______________

#20 – The EDF Tunnels, Paris, France

While the tunnels themselves are not that remarkable, entering through a manhole in the streets of central Paris most certainly is. On this occasion, we opened the heavy cover with a carabiner and piece of rope. Once inside, we couldn’t close it and yelled at a passer-by to shove the lid shut while we ran off into the tunnel. It clearly made his night.

More interesting though are the ways in which, in Paris, subterranean spaces connect to each other. At times in the city of lights it seems you can move more freely below ground than above. We spent an entire night underground after entering these utility tunnels, connecting the catacombs, quarries and a massive abandoned electricity substation, ending up on a rooftop in some strange spatial twist that I will never understand.

#19 – The Paris Catacombs (Carrières de Paris)

While we are on the topic of subterranean Paris, we made a number of trips into the catacombs this year. In 2009 we were detained by French police in a riot van after popping out of a manhole cover at 3am, which was fun, but 2010 was the year that I got to know about 4km of the rooms and galleries by memory and can now successfully navigate a majority of the system with pretty high success using maps.

At some point during our Kinky Paris trip, the following things may or may not have happened:

1. We stayed underground for 3 days living only by artificial light.
2. I feel asleep in a pile of human bones.
3. Marc Explo convinced us all we were  ghosts haunting the place after a debate between him and Silent Motion while they propped me up like a corpse on the wall, drunk on port.
4. We went to two massive underground parties (one in the underground cinema built by La Mexicaine de la Perforation).
5. We sent people out of the exit first to get arrested so we could run away while they were getting cuffed. Marc Explo also may or may not have also left people for dead in there.

#18 – New Court, London, United Kingdom

We found New Court while we were looking for something else entirely. Waking in the City of London, we saw a giant hole in a brick wall at ground level. We went through it, while a drunk man in a suit pointed and yelled “hey!” while falling against a wall, and then found this crane. Seriously, it was one of the best spontaneous finds of all time and remains one of my favourite explorations. This photo, with Tower Bridge beaming behind me, later got me some love from Web Urbanist which really kicked off motivation to get more cool stuff done this year.

#17 – Métro workshop, Paris, France

This year has also been a great year for exploration of the Paris Métro system. When Marc Explo told me we were going to explore some Métro on my last trip there, this was not what I was expecting. We jumped off a train and then tiptoed quietly down the tunnel, trying not to rattle the tiles on the narrow walkway. When we turned the corner and I saw this parked-up train with the lights on, my heart almost stopped.

The workshop made all sorts of strange noises as we slid underneath the train and up onto the platform, tugging on the doors in a futile attempt to get in. I kept having the distinct feeling someone was in there with us. It didn’t help that it was in the middle of the day. Marc Explo is mental.

#16 – Arterial GLC Cable Tunnel, London, United Kingdom

2010 was also the year we largely moved into being primarily an infiltration crew and while we wiggled into no less than 6 distinct cable runs housing London’s infrastructural networks, this one in particular is a real gem. It runs under a primary party artery and listening to the people running wild in the streets through the manhole covers, high-heels clacking down the corridors and fights breaking out above us in front of clubs, one can’t help but laugh. My favourite sound though is cars rolling over the lids down the street above with that distinctive negative gradual thumping reverberation. The cable runs are exciting for about 10 minutes visually, but they are sonic wonders.

#15 – Urban Camping, Everywhere

Okay this one is a bit of a cop-out since it’s not a specific location but we spent almost an entire month of this year sleeping in weird, random and derelict places. While the most harrowing was an active crack den in Luxemburg which we barricaded with old furniture and barbed wire, this random hill at an Autobahn Rasthof in East Germany was the most comfortable urban camping spot we have ever found.

Not only that, the looks on tourist’s faces when we woke up and dragged our sleeping kit back to the car and drove off  to the next ruin was priceless. Pretty sure a little girl in a car seat cried when we came at her in the car park, “Gary” dragging a sadly deflated stolen air mattress connected to a pump we found in a derelict pool with eyes full of wild hangover.

#14 – The Nuclear Racetrack, Southeastern England, United Kingdom

There are plenty of things you could be doing on a weekend evening. One option would be sneaking around in a quarry until you find access to an abandoned nuclear bunker where you source electric go-karts with the keys still in them and drive them around at high speeds. Seriously. We spent 12 hours in this subterranean playground and were having a grand time until I put photos of it on the interwebs and got a lifetime ban from the largest urban exploration forum in the United Kingdom. C’est la vie.

#13 – Rubix, Brixton, London, United Kingdom

2010 was also the year we started seriously exploring London’s amazing sewer system built by the legendary Joseph Bazalgette, following many years of epic exploration by drainers like Otter and Jon Doe. While we enjoyed exploring the River Fleet, The Tyburn and The Westborne sewers, I was especially fond of the Rubix junction in Brixton, in London’s South West Storm Drain system, not in the least because it is walking distance from my flat in Clapham. There is something about walking around in your own sewer that’s very satisfying.

Silent Motion shot this great footage of our exploration there. My excitement in the video is… um… evident.

#12 – Battersea Power Station, Wandsworth, London, United Kingdom

While Battersea Power Station has been a site of serial trespass for years, this year’s epic 7-person infiltration in the middle of an event setup on bonfire night past hordes of workers deserves special recognition. Watching the Battersea Park fireworks display from one of the chimneys was incredibly surreal, especially when Silent Motion told me “close your eyes and you can feel the chimneys collapsing a little every time a burst explodes.”

By the way, whoever tried to sneak in after us and got chased out – that was hilarious to watch from the chimneys, thanks!

#11 – Vogelsang Soviet Military Base, Berlin, Germany

This year marked our second visit to Vogelsang after a 10% completion in 2009. This Soviet base was built outside of Berlin in complete secrecy from the local population and housed 15,000 Soviet troops at it’s height. Declassified documents released in the 1990s revealed that this base had nuclear missiles stored there in 1958 aimed at London, Paris, and Brussells. We obviously took nude photos on the launch pads.

When we showed up at the base this year, it felt like coming home as we set up camp in the main building after hours driving and walking down logging roads on the massive necessary trek to get to it. Strangely, upon arrival we almost immediately ran into a party of geocachers and had an awkward stand-off until we realized they were as nerdy as us.

Other than that unlikely encounter, we had the base to ourselves and used the opportunity to throw a fat 4-man party in the admin building with a raging bonfire and spent all night taking long exposure night shots, inspired by Troy Paiva’s book Night Vision, which we were reading during the drive.

#10 – NATO Headquarters Bunker, a Paris Suburb, France

Sometime in the spring, we rolled into a quiet village in this Paris suburb at 2am and killed the headlights while we looked for a place to park the car where it wouldn’t be noticed. It was quiet enough to hear the gravel crunch under our feet as we ran up to a blast door and slipped down a dusty ventilation shaft. Inside – a massive quarry system converted into a NATO headquarters bunker full of decommissioned military equipment brought in by strange enthusiasts. The only thing more fun than taking photographs in these rigs? Playing destruction derby in them. Just kidding. Sort of.

#9 – Palais de Justice, Brussels, Belgium

The Brussels Palais de Justice was the largest building in the world when it was finished in 1883 and opened by King Leopold II. It’s rumoured that it’s construction was such an undertaking that the architect, Joseph Poelaert, died from exhaustion. So when we heard it was covered in scaffolding, well, we knew we were going to climb it. 2/3 of the way up the scaff, Statler quit and by the time I pulled myself onto the dome, I thought I was going to die.

I was so shattered, I couldn’t even enjoy it; we just left a jar of Vegemite on top and climbed down. In hindsight, it probably wasn’t the best way to begin a 2-week roadtrip given that we were all wrecked by 6am on the second day but hey, for these views…

#8 – March Joint Air Reserve Base, Moreno Valley, California

I came back to California for a conference in March and I got a call from my brother Pip – “so you like exploring stuff these days huh? I’ve got something we can explore.” Turns out, Pip wasn’t joking. After sneaking onto March Air Force base in Moreno Valley, California, a broken window gave us access to a 7-story building full of disused medical equipment, then being utilized as an urban warfare training ground for soldiers going to Iraq and Afghanistan. Utterly terrifying and totally fun, I am proud that a building from my home town has made it onto the top ten. Hopefully since the economy has all but collapsed, we will see more of this sort of thing. Just kidding.

On the way out, the sheriff was waiting outside. We were apparently a little reckless with our headtorches. Just as he hit us with his cruiser spotlight, four of us hid behind the only four pillars in sight. When he drove off to the backside of the building, we ran like hell. Seeing Pip go head-first into the grass just before he dove through the window of my truck as I sped off was priceless. Big props to the military police for not gunning us down with their assault rifles.

#7 – Saint Sulpice, Paris, France

We have climbed so many churches and cathedrals this year that I think we can nominate cathedral climbing as a new Olympic sport. St-Sulpice was the gem of the year. Marc Explo distracted a security guard with inane questions just before we shimmied up the hoarding to the scaffolding. When we finally got to the top, the Eiffel Tower glowing in the distance, we found a group of 5 university students in really nice clothes having a picnic on the roof. Only in Paris.

Later, this crusty old hippie came up the scaffolding with his 6-year-old daughter and fired up a spliff as he introduced himself. Like I said, only in Paris.

#6 – The Sanitary(um) Hospital, London, United Kingdom

Hands down the most pristine derelict hospital I have ever been to. The hospital is also in the most unlikely location for a giant derelict building and it took Patch and Neb weeks of research and climbing around the place using benches and ropes to finally find an open window. Shouts to Patch for the dedicated research and legwork on this one – the payoff was grand!

#5 – Millennium Mills, East London, United Kingdom

I had been putting off Millennium Mills for years. I think a part of me wanted to save London’s last epic ruin for when I needed it most. When “Gary” called me and said “meet me on the Excel Centre bridge”, I knew the time had come. Mills exceeded all expectations, it’s clearly one of the most beautiful industrial ruins on planet earth today. As such, it’s been good to see a renewed interest from London explorers in the site lately. Might as well since the security guard is utterly useless!

Like all beautiful things, London authorities plan on fucking it up by turning it into a dreadful 5000-home development with an aquarium.

#4 – Croix Rouge Abandoned Métro Station, Paris, France

Croix rouge was as terrifying to get to as it is beautiful. Unbeknownst to me at the time I hit the shutter, this photographs would tour London as a 20×30″ print and end up on the brochure for the 2010 Royal Holloway, University of London Vertical Geographies Conference.

As usual, the best thing about Paris is when you crawl out of a metro tunnel onto a platform cackling, dressed in black and covered in tunnel dust and no one cares.

#3 – Lucky Charms, Stockwell, London

Otter, Yaz and I jumped into a sewer at Stockwell station and accidentally went upstream. I don’t know what we were doing but Yaz then says, “why don’t we just see what’s around the corner.” Ten minutes later, we were in one of the most beautiful drain junctions I have ever seen. Otter, in his style, spent 30 minutes setting up lights for this photo while Yaz and I danced in our waders to drum and bass.

I am incredibly humbled that Otter and Yaz invited me to name this drain. I christened thee “Lucky Charms”, the most wonderful drain we didn’t mean to find.

#2 – Pre-metro, Antwerp, Belgium

In the 1970s, Antwerp had a big plan to build 15 km of Metro tunnels with 22 stations. Then they remembered they were in Belgium and made sure not to complete it. Today, only 11 stations have been built and it’s never been used. But that is not the fun part.

The fun part is that the only way in to this beautiful beast of a system is via a 30 meter air vent with a straight drop. At the tail end of our road trip to Poland, we tied off the ropes and dropped into this gorgeous piece of almost-architecture while the rain pummelled us from up high.

Flipping the light switch at the bottom and watching the lights spark down 11 abandoned (under construction?) stations was one of the greatest things I have ever witnessed. Not being able to ascend out of the system due to exhaustion, torrential rain, and fear – even more awesome!

#1 – King’s Reach Tower, Southbank of the Thames, London

And finally, maybe surprisingly, at number one on my list this year is my new London favourite. The first time I stepped onto the roof of King’s Reach Tower, 111 metres over the Thames, I was floored by how spectacular the view was. It also has (had?) a working lift which seriously made this a night out that almost didn’t feel like exploring at all, just an evening with drinks and a beautiful view. When Otter released his Gigapixel panorama of London taken from here, I knew we had something incredible on our hands. It only got better when we threw an epic party on the 29th floor which brought explorers from 5 countries together for a fantastic gathering that ended in a drunken congratulatory speech from Siologen.

And so with that, I officially close the Place Hacking 2010 year of exploration. Hope to see you all out there next year!

________________

Thanks to Statler, “Gary”, Otter, Patch, Yaz, Neb, Claire-Elise, Gigi, LutEx, Hydra, Witek, Brickman, Cogito, Joel and Jesse Childers, Siologen, Snappel, User Scott, El Gringo, Pip and everyone else who I have been exploring with this year.

A special thanks to Winch for organizing all of our legendary ProHobo Road trips. I don’t know how you do it mate, but don’t stop. Marc Explo deserves the utmost respect for not only for his skills as an explorer but his in-action philosophising that always send me back to the drawing board. Silent Motion is the best place hacker the world has yet seen, you are an inspiration brother.

Further, I have had some great conversations and received encouragement on my PhD research from Dsankt, Urbanity, Simon Cornwell, Trevor Paglen, Adam Fish and the crew at Savage Minds, Alan Rapp, Julia Solis, Shane Perez and Steve Duncan. Cheers all. Thank you finally to Tim Cresswell for your unwavering support (and blind eye) during late night frantic calls and early morning coffee chugging sessions at the London Review Bookshop.

On a final note, 2011 already promises more than 2010 delivered so watch this space.

Oh, one more thing.

Explore Everything

Without contraries, there is no progression.
– William Blake

Everyone agrees. It’s about to explode.
– The Coming Insurrection

A lot of ink is spilled over urban exploration’s relationship to the past and I have previously written about how the anticipated transience of places, the act of bearing witness to their inevitable death, adds to our experience of exploring them in the present. These geographic imaginations of unrealized temporal iterations positively reinforce our notions of place in the world, giving us a sense of agency as we realise that in the midst of all of the endless death and decay, we live, even as we are reminded our time here is limited. This notion has guided historical attractions to ruination for centuries, stretching back to ancient Rome when Livy explored the Cloaca Maxima sewer. The nostalgic lust for derelict and crumbling spaces has never left us for as Alan Rapp writes ‘the metaphorical power of ruination is as relevant today as it was in an ostensibly more Romantic era’. Our love for things of the past, the nostalgia that Nietzsche found so crippling, is described by G.M. Trevelian who writes:

The poetry of history lies in the quasi-miraculous fact that once, on this earth, once, on this familiar spot of ground, walked other men and women, as actual as we are today, thinking their own thoughts, swayed by their own passions, but now all gone, one generation vanishing into another, gone as utterly as we ourselves shall shortly be gone…

Ruins, like dreams, pull us, in one direction, toward our innermost yearnings and, in another, towards a life beyond the constraints of the real; the romantic accounts of ruin exploration in the last 2000 years abound. But clearly part of our attraction to derelict space also has a darker component of an imagined ruined future that has not been written about nearly as much, a Ballardian formulation of urban apocalypse.

Recently, Paul Dobraszczyk wrote a wonderful paper in the journal City where he describes his trip the to exploded nuclear reactor at Chernobyl which ‘incorporated elements of both dark tourism and urban exploration’ as he searched for what Susan Sontag referred to confrontations with ‘inconceivable terror’. Just a few years previous, Tom Vanderbilt penned the book Survival City in which he explores the ruins of atomic America and in the new book Ruins of Modernity (my review in Environment and Planning D: Society and Space forthcoming), Jonathan Veitch tours the Nevada Atomic Test Site where he finds not the expected response of melancholy or nostalgia upon entering the ruins but Baudelaire’s Satanic laughter, a terror that is so visceral the only possible response humour, as if the emotions have been short-wired by the horror.

And so we come to the thesis. Part of the reason we enjoy exploring decaying architecture is rooted in an imagination of a post-apocalyptic future. These places are viscerally enticing in their wretchedness, in part, because imagining ourselves in a future where we populate them during imagined use-lives filled with heroism and adventure is so improbable that it forces one to meditate on the surreal nature of the past that had led us to this most improbable junction in time. Writing of Pripyat, one contributor to the new book Beauty in Decay which represents these sites with burning gothic intensity notes the Pripyat “continues to whisper of a ‘post-human’ earth which, in the end, may be the strongest fascination of them all.”

In our explorations of the ruins of Eastern Europe this past summer, we all took guilty pleasure in witnessing the remains of the failed Soviet Union and Nazi Germany, reacting, at times, absurdly to it. The experience left us in a distinctly different state than ruin exploration in the United Kingdom, the reverence for actual state failure (rather than imagined post-capitalist or “site-specific” failure) making our explorations both more poignant and more guilt-ridden.

If, as Dylan Trigg writes in The Aesthetics of Decay, a derelict factory testifies to a failed past but also reminds us that the future may end in ruin, what does the ruin of a failed state say to us?

Henry James writes in Italian Hours that “to delight in the aspect of the sentient ruin might appear a heartless pastime, and the pleasure, I confess, shows a note of perversity”. This perversity takes on a different form as you leave “home”, the nostalgia wears a dark mask of exotic fetishism that beckons the days of Empire even as we participate in the beginnings of the failure of capitalism and the nation state at home. Of course, these expeditions are markedly less decadent than those of ages past but even speaking English marks us as a potentially dark and exploitative party even as we seek to avoid being “tourists” by following Steve Pile’s advice that in order to get at some of the real (really operative) processes in city life, attention should be paid to those things that appear marginal, or discarded, or lost, or that have disappeared or are in the process of disappearance.

A year ago, we took a trip out to the Mojave Desert in California for a friend’s bachelor party. Our intention was to explore the Calico Mines under the ghost town. Which we did, finding all sort of mysterious chambers, boxes of dynamite, uninvited spectres and endless subterranean playgrounds. But always in the back of our minds, there was a fantasy playing out of someday taking refuge here. Whether that was from drought, famine, nuclear attack or a zombie infestation was never articulated but we all knew it was implied. We were collecting derelict site locations as a post-apocalypse insurance policy. As Susan Buck-Morss wrote in The Dialectics of Seeing, throughout Benjamin’s Arcades Project, the image of the “ruin”, is emblematic not only of the transitoriness and fragility of capitalist culture, but also its destructiveness. Our imaginations were all bolstered by the thought we were seeing ghosts from a future yet to come.

Indeed, as Hell and Schönle write in Ruins of Modernity, ruin exploration can involve “reflections about history: about the nature of the event, the meaning of the past for the present, that nature of history itself as eternal cycle, progress, apocalypse, or murderous dialectic process.” These inevitable intersections took grip firmly as we were leaving the mines. On the way out, we were confronted by survivalists from a militia who had dug into the caves to create desert shelters and were patrolling their territory in a weaponised 4×4 buggy. The father was clearly ex-military, barking orders at his kid to “get on the gun, son” for a photo op. As they sped away, they yelled back at us that the government was collapsing and we would do best to prepare to defend some territory, a new tribalism, they insisted, was on its way.

These post-apocalyptic imaginaries are evident all over popular culture, from films like Mad Max, 28 Days Later, 12 Monkeys or Blade Runner, in books like After London, The World Made by Hand, The Road, The Stand, or The Plague and even in video games like Bioshock and Silent Hill. In all of these depictions, though the future may be bleak and dytopic, there is some underlying euphoria behind the freedom that comes with being released from the state, social life and cultural expectation that has an obvious relationship to the off-the-grid spaces that urban explorers go into. I have to wonder though, as we run into more and more people living this way now (primarily squatters and unsanctioned parties) rather than imagining to live this way in some distant future, what it takes to drive one off the grid like the Dad and son I met in the desert.

It seems to me that the imaginations of these distopic futures become increasingly realistic as our faith in the state to take care of us is eroded; as we see the world collapsing around us politically, environmentally and socially. Now that may be obvious. What isn’t obvious, what no one wants to say, is that we like the idea to some extent. In some part of all of us, we want the society of the spectacle to implode, to see how we would fare in a world not regulated by health and safety, to see what we might achieve when confronted with the most basic challenges of finding food, water and shelter.

I argue that the interest in post-apocalyptic futures in nothing less than an interest in trying to get back to what we have lost in late capitalism, a sense of place, a sense of community, a sense of self. And although urban exploration passes through places rather than staking them out in any permanent way, urban exploration as a movement is a vital bridge, a gateway, because it finally makes to move from the imagined to the physical. When we explore, we take a step off the grid. It is only one more step to stay off it.

With Ruins
Li-Young Lee

Choose a quiet place, a ruin,
a house no more a house,
under whose stone archway I stood
one day to duck the rain.

The roofless floor, vertical
studs, eight wood columns
supporting nothing,
two staircases careening to nowhere,
all make it seem

a sketch, notes to a house, a three-
dimensional grid negotiating
absences, an idea
receding into indefinite rain,

or else that idea
emerging, skeletal
against the hammered sky, a
human thing, scoured seen clean
through from here to an iron heaven.

A place where things
were said and done,
there you can remember
what you need to remember.
Melancholy is useful. Bring yours.

There are no neighbors to wonder
who you are,
what you might me doing
walking there,
stopping now and then

to touch a crumbling brick
or stand in a doorway
framed by the day.
No one has to know you
thing of another doorway

that framed the rain or news of war
depending on which way you faced.
You think of sea-roads and earth-roads
you traveled once, and always
in the same direction: away.

You think
of a woman, a favorite
dress, your old father’s breasts
the last time you saw him, his breath,
brief, the leaf

you’ve torn from a vine and which you hold now
to your cheek like a train ticket
or a piece of cloth, a little hand or a blade –
it all depends
on the course of your memory.

It’s a place
for those who own no place
to correspond to ruins in the soul.
It’s mine.
It’s all yours.

___________________

For Toby Butler

Beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.
-Kahlil Gibran

Life is a pilgrimage. The wise man does not rest by the roadside inns. He marches direct to the illimitable domain of eternal bliss, his ultimate destination.
-Swami Sivananda

Certain sites of urban exploration are to be tasted, others swallowed and some to be chewed and digested. I have had a love affair with Battersea Power Station, my Dark Princess, since arriving in London. The first time I rode past on the train and saw her crumbing dark brick and creamy smokestacks shining in the afternoon light, I began to feel a powerful desire to get closer. Slowly, over the course of 2 years, I have gone back to her over and over again, on foot, crawling through tunnels, by boat. I have visited her on lonely late nights of contemplation, seeking advice and solace, in the evenings, in the days, through changes of ownership and constantly changing security measures, running around the control rooms playing hide and seek and laying along the chimneys with friends in London’s early dawn light waiting for the ecstasy of her grandeur to eventually fade, which it never does. I feel that we have, over the years, developed a complicated and passionate relationship to the point that I defend her liminal status as being the best place for her to reside. I want her just as she is, now and forever.

Last year, a plan was hatched to watch the city’s firework display from Battersea Park via the chimneys of my Dark Princess. Ironically, because of all of the traffic coming to Clapham Common where I live for the epic yearly display here, I couldn’t get there in time. I have regretted it ever since, determined to let nothing stop me this year from attending what has become a sacred urban explorer pilgrimage.

Security is part of the game. They know we are coming. They know we won’t give up spending this night with the Dark Princess. Last night, the place was swarming with workers and patrols, a large tent in the middle shooting blue lights onto the interior walls as we slipped up the scaffolding. The tremors of fear and roaming floodlights only added to the passion of the affair. In the end, 7 of us made it in even as others were caught in the yard below with screams and footchases we could hear while hanging from the steel girders.

And for our persistence, the Dark Princess rewarded us with the most spectacular beauty imaginable, aided in no small part the worker’s light show they unintentionally put on for us (thank you workers!).

For 30 minutes, we sunk into the bliss of a successful pilgrimage, eyes closed with the sky flaring behind our eyelids, one terrible rumble after another awaking our primal imaginaries, drifting into the night. The evening turned into a fervour of laughter and play as we ran into the city to wreak more havoc in our intoxication of passion. I let the night go with a heavy heart.

I like to just gobble the stuff right out in the street and see what happens, take my chances, just stomp on my own accelerator. It’s like getting on a racing bike and all of a sudden you’re doing 120 miles per hour into a curve that has sand all over it and you think “Holy Jesus, here we go,” and you lay it over till the pegs hit the street and metal starts to spark. If you’re good enough, you can pull it out, but sometimes you end up in the emergency room with some bastard in a white suit sewing your scalp back on.

–Hunter S. Thompson, Playboy Magazine, 1974, discussing drug use as edgework

Edgework was a term first used by gonzo journalist Hunter S. Thompson in his book Fear and Loathing in Las Vegas to describe the necessity some people find in pushing boundaries to find fulfillment. The idea is to work as close to the “edge” as one can without getting cut (or at least not too deeply). For Thompson, this meant putting himself in perilous situations such as doing ethnographic research with the notorious Hell’s Angels Biker Gang, ingesting various intoxicants to the point of near overdose or taking drugs of unknown origin in unexpected combinations.

The term edgework was appropriated by the socialist Stephen Lyng as a blanket term for anyone who “actively seeks experiences that involve a high potential for personal injury or death.” In his 1996 article Edgework: A Social Psychological Analysis of Voluntary Risk Taking (expanded in 2004 as an edited book), Lyng goes on to explain edgework as a negotiation between “life and death, consciousness and unconsciousness, and sanity and insanity”.

It seems to me that most urban explorers not only feel the need to test those limits, but to push them. We find those opportunities in drain systems, where the obvious risk comes from flooding and drowning to abandoned buildings which have both short term (collapse) and long term (respiratory problems, cancer etc.) negative impacts on our bodies. Many urban explorers also frequent high places where falling is always a possibility. In these locations we are free to do our edgework, pushing these boundaries by hanging from cranes, balancing on edges of long drops, precariously tiptoeing over weak floors and scrambling under collapsing roofs.

In wider society, inevitably connected to the concept of “liability”, is the notion that these activities are trangressive. UrbEx, like street art, skateboarding and parkour, is a practice which reappropriates urban space for an unintended or unexpected use that may result in bodily harm and one of the common reactions to people choosing to take unnecessary risks is, of course, suspicion that these people are “out of place”. But as Christopher Stanley has written, “these subcultural events [could] assume the status of resistant practices not in terms of ideology but rather in terms of alternative narratives of dissensus representing possible moments of community.”

As Lyng rightly points out later in his article, “risk taking is necessary for the well-being of some people” as individuals work to “develop capacities for competent control over environmental objects” (see Klausner 1968) inspiring edgeworkers to sometimes speak of a feeling of “oneness” with the object or environment while undertaking these risks.

I know that the places where I feel most embedded in the “fabric” are places where I have taken risks. In those places, I have bonded not only with Lyng’s “object and environment” but also with my friends who shared in those risks.

The desires to explore for the sake of exploring, to take risks for the sake of the experience, with little thought to the “outcome”, is something that runs deep in us when we are children. Urban explorers are, in one sense, rediscovering and forging these feelings of unbridled play, of useless wandering, of trivial conversation and of spontaneous encounter, all of which lead to the creation of very thick bonds between fellow explorers who use play as a way “to de-emphasize the importance of work and consumption and their pervasive monetary components.”

These explorations bond people in an emotive embrace, tendrils of affect conjured by shared fear and excitement, experiences that have become increasingly hard to find in many modern city spaces which Guy Debord argues “eliminate geographical distance only to produce internal separation.”

Despite the ways edgework may be seen as trangressive, the empowering and inspiring process of undertaking edgework is exactly what is lacking from many people’s lives in global cities. Edgework may in this sense be seen  healing rather than severing, a hot blade that melts. Physical human connections through shared experiences of peaked emotions build stronger bonds of community, and I am proud to belong to this tribe of urban bodhisattvas.