Scattershot

Posted by Bradley L. Garrett on Saturday Jun 11, 2011 Under Academia, Cultural Geography, Ethnography, Film, Geography, Spatial Politics, Urban Exploration

I’ve got a great ambition to die of exhaustion rather than boredom.
-Thomas Carlyle

Time is a rubbery thing

The last few months, I’ve been rather entrenched in writing my PhD. With 5 chapters now done and under review, things are well on their way. However, this time for reflection during my self-imposed exile here in the Mojave Desert has also been fruitful for other writing projects, including 2 book chapters, 5 journal articles and 3 web publications. This work has pulled my attention from Place Hacking for the moment. However, I thought it might be worth rounding up what’s gone down lately in this scattershot update.

First, I was invited to write an op-ed piece for the Domus architecture and design magazine on the fragmentation of urban exploration. Essentially the article is about how an unlikely mix of media attention and marketing exploitation threatens to polarize an otherwise apolitical practice. The article can be found here. Immediately after publication, Control from the LTV Squad in New York City posted a great response which has sparked renewed discussion about the social and political salience of urban exploration as a practice. That can be found here.

In a more academic context, a few weeks ago Luke Bennett published an article in Environment & Planning D: Society and Space entitled Bunkerology – a case study in the theory and practice of urban exploration. Stuart Elden and Deborah Cowen were kind enough to allow me to respond to the article on the Society and Space blog. That response can be found here. Bennett then replies in an excellent post which is here.

Finally, Otter at SilentUK has uploaded a trailer for the film “Crack the Surface” which myself and JD at sub-urban are co-producing with him. More exciting than tinfoil in the microwave.

All and all, it’s been a heavy few months for urban exploration but I am heartened by the new debates and discussions sparking everywhere about the practical and theoretical issues around the practice. As I wrote recently to Snappel, I think that it’s really vital those of us who are willing to engage with our practice on more than a superficial level do so and, as such, I am really encouraged by the thoughtful responses from both Control and Bennett.

Urban exploration is at a crossroads right now and it is up to us which path we take. As it should be clear from these publications, I for one am not content to allow herds of ruin fetishists, bitter armchair commentators or corporations define what history will see us as. Urban exploration seethes with potential as a critical spatial practice at a time when space is rapidly constricting under the control of pseudo-apocalyptic forces manufacturing fear and distraction daily to keep desire and dissent at bay. It is my hope that through these publications and exchanges, the potential for urban exploration to sap those illusions is slowly being unleashed.

It’s time fellow earthlings. Smash and grab it. Explore everything.

With love from Sin City, USA

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There he goes. One of God’s own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
Raoul Duke

Intentions

I arrived in Syracuse, NY and escaped as planned in my newly-acquired ’88 Dodge, speeding into the Canadian winter wonderland with every intention of sucking the life out of every moment that I encountered. Dressed in black, masked up, layering my thin California skin against the wrath of Persephone, I had every intention of doing what we do best – turning an idea, absurd, slippery and unmanageable, into resolute action with a resultant outcome of epicness. I know the formula. However, expressed in this way the “idea” is only an ideal problem, which in reality takes on an unsettling and radical complexity. The problem was, perhaps, in the way I had become accustomed to how our band operated; firstly in our interdependency and then in our relative immunity. Crossing the border into Canada, I screamed through like a drunk whirlwind, smoke from a California sage bundle pouring through the windows, blasting leftover dubstep which had fermented in a Tupperware container with the lid taped down so it wouldn’t spill, jumping around in the passenger seat, totally unaware that I was radically out of place. The topographical fractilisation finally evidenced itself when I pulled into Niagara Falls to stare at a tailrace now inaccessible. I have clearly underestimated the impact that seeing the Belly of the Beast sewn shut would have on my explorer constitution. Soberly drinking a very well made whiskey sour, I took a photo of Niagara falls with the other tourists and drove off to park in some farmers crop where I slept in the car, shivering and bored.

Fissure

It occurred to me in a frostbitten hallucination that the photos I took were not flatly captured do to any technical limitation but because of the lack of required investment in either meaningful human exchange at the moment of shutter release nor interesting endeavour toward the moment of acquisition. A determination as to which of these factors was leading to my disillusionment became a primary goal for the trip.

But the fear set in with the realization that the expectant fracturilisation had begun to make it’s move from spatial to psychological.  Mental processes began to take unrecognisable forms which, at times, could only be understood in moments of lucid dreaming or utopic drug visions. My PhD thesis began acting as a gravitational tractor beam, pulling me back to the mother ship as I continued to struggle toward the liberating slavery where my work could be completed in an appropriately manly fashion. This seemingly productive internal feedback loop taking me to ‘work’ however, in this context, led me to a constant sensual disenfranchisement that I had forgotten in London. The pinnacle came in Chatham, Ontario, where the car broke down and I was yanked from it by a thick-necked Canadian with a machine gun who told me I ‘had a mouth on me’. He seized the vehicle, called me in a ‘transient’, and left me standing in sub-zero temperatures with my roly suitcase. It was fucking cold.

Disillusioned

I left the burning, green fluid-spurting car with the police and escaped Canada on a boarder-hopping shuttle full of old people without event. I caught a plane from Detroit. My line of flight to Minnesota was not to be realised and I called Darlinclem from the airport, impossibly bitter. Sweet as ever, she agreed to reschedule our Subterranean Twin City rampage for the summer.

Upon arriving in Las Vegas, the suggested endpoint for my roadtrip that barely happened, it occurred to me that the required to remedy for the situation was some old school Place Hacking. A quick personal database query revealed an aircraft boneyard halfway to LA and I hit the road. Arrival revealed incomprehensible dereliction, dozens of square miles of dead planes, military housing, cinemas, shopping malls and a giant hospital now used for urban military training. All required sneaking around inside the defunct George Air Force Base, now the Southern California Logistics Airport. It felt a lot like an abandoned Soviet military base in Poland. Except for the tumbleweeds and sand. And paintball remnants. Well that and there weren’t statues of Lenin everywhere. I guess they weren’t really that similar.

Warning signs

Not that sneaky

Places

Not that freaky

I was relying on known variables here trying to rip space into time with my subtle knife, creating temporal amalgamations and fresh spatiotemporalexperiential concoctions with salt and lime. My own past was here somewhere, past the Canadian ice sheets and industrial ruins of Detroit, here in a desert full of tumbleweeds, sagebrush, jackrabbits, adobe and agave. This past had to retain it’s juvenile viscerality, that recognition that it’s articulation historically does not mean recognizing it ‘the way it really was’. It means appropriating a memory as it flashes up in a moment of danger. But the danger coalesced limply. Rather than London riot police attacking me with batons, I found overweight security guards easily converted though commiseration with their existential misery. I kept praying for military police to show up so Silent Motion would descend from a rooftop to take one in the eye with a ninja star while Patch kicked another through a wall with his famous swift boot. Everyone I encountered was so apathetic, they didn’t even care what my mission was, why I was wearing a giant cowboy hat covered in bodhi seeds or for what reason I was photographing their derelict hospital. The contrast between the furiousness of their illusions of control and the lacklustre enforcement of the stated boundaries was nothing short of disheartening. Freedom without boundaries is pointless.

I'm doing this

For no reason

Despite my misgivings, the moments of encounter between the present and the past, experienced through physically exploring abandoned architecture, uncovered that old embodied practice that mirrors the role of the archaeologist assaying surface material without deep excavation to analyse the character a place, as expected. It’s just that I undertook my surface survey of affectation by making connections more topologically than topographically these days. I successfully temporarily inhabited those sites of material history and constructed assemblages of emotional and memorial attachments that melded pluritemporal geographic, historical and experiential imagination, perhaps one day subject to nostalgic romanticism and that was sort of satisfying. But they remained, in my mind, the product of a life left behind, each composition an infantile regression. As such, I revisited those sites of old from my research, a babe suckling a solipsistic personal history missing all my favourite characters.

Still rotting

Despite it all

The only thing, as always, that remained of interest was those impossible-to-ignore topographic characteristics, those moments when I felt London was in the desert in me and that my crew could feel the Mojave through our tingling warder bond. These are the singular incorporeal constellations which belong to natural and human history, and at the same time escape them by a thousand lines of flight. I arrived in the desert where I will write our stories and found that here the radio crackles and hums with talk of evacuation zones and potassium iodide. I’m sitting here picking at my fingernails and refreshing news pages over and over to the faint scent of burning plastic and I’m in Fukushima. It is heavenly in it’s apocalyptic serenity, useless it is ineffectual attempt at human connectivity, terrible in it’s aftermath.

Lines of flight

In the end, it is the decentralization of disruptive energy created by my need to tug my thread into the desert that is causing the angst behind it all. I need it. I know that. At the same time, the media connectivity feeding me streams of information from the home I left, knowing that I am here to produce a theoretical contribution that neither I, or anyone I have come to respect by now cares much about also lingers. But more than that, it is the realisation that the dream of freedom I was taught as a child is a sham. The United States is not the land of the free, it is the land of the subjugated, the apathetic and the weak while the fight rages on in Europe and North Africa for the future world we will inhabit. My throat is dry while the deserts of the Middle East run red with the blood of a desire the population in this derelict desert has forgotten is theirs to take. And so I write.

Feels like this

______________________

Explode Everything

 

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Paris Questing

Posted by Bradley L. Garrett on Wednesday Feb 2, 2011 Under Cultural Geography, Film, Geography, Infiltration, Infrastructure, Urban Exploration

As I make my slow pilgrimage through the world, a certain sense of beautiful mystery seems to gather and grow.
-A.C. Benson

Otter at Silent UK put together this really lovely video of our recent trip to Paris. Enjoy!

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Your hearts know in silence the secrets of the days and nights. But your ears thirst for the sound of your heart’s knowledge. You would know in words that which you have always known in thought. You would touch with your fingers the naked body of your dreams.
The Prophet

Urban dreams

Part I

Desire was everywhere when we stepped of the plane at Charles de Gaulle. We nipped and yelped, scurrying into the city wearing rags and muddied bags, dragging tripods down the walls of Métro tunnels like Freddy Krueger. The thirst, after weeks of depraved scholarship, endless perverted workdays and inert meetings over coffee, had concretised into the force of a tsunami. The wave broke at times around tall objects, splitting and climbing for a moment before splashing down again in a liquid slump of ecstasy. At other junctions, it snaked into infrastructural gaps too small for bodies. We followed the water to find the glitches in the system, trying out various keys and tools for which the original intended purpose was never understood, lost artefacts from another time, rediscovered by our nomadic band of forgotten disciples. We bled and drank, crawling into our sleeping bags when we could smell the bread baking, the delicious olfactory beacon warning us the City of Light had switched on for the day.

Depraved

Everyday life is a life lived on the level of surging affects, impacts suffered or barely avoided. It takes everything we have. But it also spawns a series of little somethings dreamed up in the course of things. Exploited, those affects, glitches, errors in lines of code, paired to the desires to find them, become the preeminent domain of the urban explorer, the skateboarder, the street artist and all children while they are still conscious, before society rapes them into submission, huddled in the corner of an overcrowded classroom where they are forced to recite the national anthem over and over again.

Desire wasn’t purchased, nor did we try to sell it. At the same time, it was a profitable endeavour, an investment in the communication of the incommunicable, a necessary departure from direct economic production. Urbanity is codified by a set of rules which creates spirals of economic ‘prosperity’, where relentless velocity must be maintained to preserve the perpetual accumulation of wealth, resources and labour. The result is a system which reproduces itself in ceaseless iterations like a demonic fractal art project, even (or even especially) when those accumulations are superfluous or unnecessary, until it pops.

Juxtapositions

The result? An endless stacked stratigraphy of miscommunications, abortions and aberrations, interminable confusion about what could and should have been, sparkling smiles as the successful accumulation is directed into personal coffers, suicide from bridges where it does not. What sprawls all around us everyday, whether we are in London, Milan, Paris or Los Angeles is a capitalist monstrosity that regrows heads as you slice them off. Our only advantage against this unkillable and utterly beautiful beast is its immensity, for it is this very horrific attribute that allows us to run underneath unnoticed while it spews poison in the Siene.

Endlessly fractal

Part II

“Ah! Paris! What a beautiful city, don’t you think?”
“I don’t give a shit, what I wanted to do was ride the Métro.”
Zazie dans le métro

Rails

At its best, capitalism encourages a kind of generalised schizophrenia, a shatteringly intense fracturing of subjectivity. On the other hand, to survive it has to contain these effects through oppressive fictions like the nuclear family and psychiatry, which attempt to ‘reterritorialise’ desire: to put it safely back inside the home and to keep it there. Night after night in Paris, on this trip and others, we took the secret desires from home and mind into streets and practice. While the Marxists sit in Starbucks with their coffees crying for the overthrow of the system and the anarchists fight each other in squats, condemning comrades as sexists and fascists, we create desire. We are coercive machines that produce breaks and mobilise flows, nude in sewers, hanging from cranes, in love with the endless accelerations of material layering that keep cracking open underneath the weight of 6,869,652,772 human bodies.

We are the result of inevitable urbanic schizophrenia. While the dragon spews its poison, wagged by its own tail, we urinate on its leg, chuckling as our playfulness conjoins deterritorialised resources and temporarily appropriates the surplus from their reterritorialised conjunctions in nice little packages of pixels to print and mount illegally in the New York Metro. To each moment, we cling with all our heart, knowing it is unique and irreplaceable – and yet we wouldn’t lift a finger to prevent it from being annihilated.

Insert human here

As Dsankt told me while we wobbled toward each other in some subterranean dungeon, until you get over that initial dereliction fetish and prepare to let all things come and go, you haven’t found it yet. So as each sparkling moment expands toward the implosion we all know is coming, we feed the system. And when the engorged stomach lining finally tears, we will climb inside it’s dead body like Luke Skywalker penetrating his gutted Ton-ton and become enlightened.

Glitch

Each epoch not only dreams the next, but also, in dreaming, strives toward the moment of waking. It bears its end in itself and unfolds it with ruse. In the convulsions of the commodity economy we begin to recognize the monuments of the bourgeoisie as ruins even before they have crumbled. Now that it’s all over and I am back here stewing in my own filth writing this PhD thesis in a nostalgic dispassionate embrace, only one thing is certain: the spiral will start churning again; the unstoppable desire to take our love to the streets will build, little seeds of speculation will begin to sprout, phone calls will be made. And we will go again to slide into urbanity’s womb and fertilise unfathomable nightmares born from the passion of those tiny glimpses we are all so apt to ignore. We will play, in this form and others, in imaginative permutations of superhumanity that don’t yet exist, again and again, until we are dead.

When it's over

_______________________________

A thousand blessings to Marc Explo, our tireless host. Thank you also to Winch and Otter for your brotherly companionship all weekend and to Olivier, Kat, Dsankt and Mrs. Dsankt for the wonderful dinner and champagne, delightful conversation and company as we climbed through sewage to get to a bridge.

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Sewers enjoy a special place in the pantheon of urban mythology.

-Matthew Gandy

Photo by Otter at Silent UK

The first big event of 2011 already went down. Literally. This year’s International Drain Meet (IDM) was hosted by London, organized by Otter at Silent UK. It was the largest meeting of the international draining community in London’s history with over 50 people from 6 countries in a large overflow chamber under Knightsbridge. We had drainers from the UK, Sweden, Italy, France, USA and Australia, including the UE Kingz, Brescia Underground and the Cave Clan. We also had a heavy contingent of the massively fun Manchester drainer contingent.

We also seem to have finally melded the two top London crews at this meet through Siologen’s powers of healing oration (see below). By the end of the night, Jon Doe, the King of UK draining, conjured himself out of thin air in the middle of the party to the delight of everyone in attendance. It was, by all accounts, one of the best gatherings in London urban explorer history. A full write up can be found on Winch’s blog.

Otter was kind enough to ask me to film the event since he was busy organizing all night. Here is my contribution – it is best viewed on full screen with the volume turned up loud enough to assault your neighbours.

As always, explore everything.

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