In a closed society where everybody’s guilty, the only crime is getting caught. -Hunter S. Thompson
I couldn’t believe we were back in Vegas. Being the neurotic adventure-seeking pendulums of desire that we are, we had oscillated between one extreme and another, passing through my beloved quiet desert from LA to Sin City, through blistering days and freezing nights under the stars, from my Mom’s home cooking to endless Del Taco – only to find that Emily Fish had already arrived from Mexico and been camping in McCarren Airport for at least 24 hours. She had constructed a little shanty town out of Indian shawls and suitcase remnants in the baggage claim area and fended off TSA security with honey in the ear and incense sticks. I walked in dripping sweat, stinking of whiskey and gunpowder. She looked me up and down and said, “well honey, I guess we had better go explore everything”. Damn right. We started with a gaudy carpet by the toilets in the Bellagio.
Vegas was in shambles. The Sahara casino had closed down. New construction had ceased. The only skyscraper with cranes on site when we arrived was Fountainebleau which Aurelie Curie assured me was secured tighter than Fort Knox. 1 of every 9 homes was in foreclosure due to non-payment of mortgages and unemployment was astronomical. Thinking back to my jaunt though the Las Vegas underworld just a few months back, it was clear nothing had changed since the last time I left poolside to go crawling around underground. The summer of 2011 in Sin City felt like the apocalypse. But as I had already found, Las Vegas history, the real Las Vegas history, makes fops and fools of even the most sincere explorers. The city’s story is riddled with blind alleys, dead ends, crazy twists, and outright fabrication; nothing should be taken at face value here, we had to get out on the strip and take score.
As much as I love the city, Vegas is one of those places that you really must assume you may never return to every time you leave, fragile as it is, so you’ve got to milk it. It made sense to start with the Sahara, a Vegas icon recently deceased after 59 years of pwning poor saps and breaking people’s hands with hammers in back rooms. We called up Aurelie and she gave us a hot tip – they were having a liquidation sale. The idea was to pose and buyers taking pictures of potential purchases for a client and walk through the front door, head for the lifts and see where you can get. Solid. Floor 24 please.
There was a spooky sincerity to the liquidation of the Sahara, evident in the faces of employees and the place itself. The architecture was slumped over against a wall, baking in the heat clutching a bottle, shrugging to passerbys and laughing to itself while trashy families picked at its carcass and wondered to their partners wielding tall cans of Natural Ice whether they could put this on eBay, holding the item in question aloft in the glaring casino floorlights with a discerning eye. We bypassed the hordes and wandered backstage where Frank Sinatra, Dean Martin, Judy Garland, George Carlin & Bill Cosby had performed. Later I found out Aurelie had gone up in the flies the week before. You don’t know until you try.
Marc Cooper writes that Vegas is purposefully constructed as a self-enclosed and isolated biosphere, sort of what a recreational colony built on the moon might be like. The Sahara in the summer of 2011 was the perfect example of this, a biosphere with holes in the glass, oxygen seeping out into the desert wind with a hissing sound, ready to explode at the flick of a match.
To imagine that for 59 years this place had never closed. Ever. Yet there we sat, alone in quiet buffets and silent rooftops, not even an air conditioner running. It was a spectacular privilege. Extrapolating what we saw in the Sahara, it’s clear this city would ruin like a a hot rod – in the sexiest way possible.
From the roof of Sahara we could see our last and final target in Vegas – Fountainbleau. It was the only skyscraper in the city under construction, the only one with cranes on it and, as Aurelie had warned us, getting up there would likely require a distraction of immense proportions such as a catastrophic desert thunderstorm or nuclear bomb blast. However, we were determined that it must be done, despite the security patrols vigilantly rolling around on ATVs like circling sharks. There were at least three teams on the ground down there and they were better prepared than us, wielding binoculars and radios.
However, before we could tackle it, we encountered another opportunity altogether. Essentially, we were walking down Las Vegas Boulevard and saw that there was a new Walgreens under construction. The front gate was open and it was 2 in the afternoon, the street swarming with red-faced tourists. We figured we should give it a shot – the worst that would happen is that we would walk into a worker or security, feign drunkenness, apologise, head for the gate and run like hell when we hit the pavement. An archetypal tactic straight out of Access All Areas. As it turned out, though we were all sweating it, there appeared to be no one there. I guess they just took lunch and left the gate open. Cheers guys.
That was the end of our time together as a group in Vegas. Emily went back to Washington, Witek to Ottawa and Otter to London. Marc Explo and I were left alone to pack up our stuff for a final leg of the trip before our summer was over. But we had one mission left to complete. Since it was unlikely I was coming back to Vegas, I felt compelled to do something grand to mark my time there, to push the bar higher, as our crew does, wherever we go. This desert has attracted all manner of dreamers, from millenarian cultists to visionary artists to advanced weapons scientists from the United States Air Force. They have all made their mark, they have all tested something or other on America’s proving ground. Like bleached bones these dreams lie in the desert sand, faded and chipped but intact; they have their own story to tell, as compelling as the accounts of written history or the stirring narratives of museums. So at 3am on Sunday before we flew out, Marc and I dodged the security patrols and alarms and climbed the 68 story Fountaineblue skyscraper. These photos are my parting gift to one one my favorite cities in the United States. With love.
Thank you to all my friends in Vegas including Matthew O’Brien, Joshua Ellis and Aurelie Curie. Thanks as well to Marcia and Jack Kulpa for allowing me to look after your beautiful house for the summer.